Here is another free image I found on Pixabay that is perfect for Spelljammer. Use it as you wish and if you want to credit the artist, check out this page on the site. There are few other great pictures there that could be used for Spelljammer.
Wow! What an intense book!
I started this book for the Science Fiction Masterworks book club I’ve organized, and I waited patiently until the very end of 2015 to start it, especially since I was also working on a reading challenge I wanted to finish by the end of 2015. But once I picked it up, I simply could not put it down. The writing is electric, even pyrotechnic. It starts out with awesome and it just keeps adding more awesome onto awesome.
The book starts with a prologue that explains that someone discovered that when threatened with imminent death people have the ability to “jaunte”; that is to say, to teleport over short distances. Eventually the trick of the ability becomes something that everyone can do and so culture and society must adapt.
Cue our opening scene, in which Gully Foyle, our protagonist, a common labourer, has survived in space for 170 days after his ship, the Nomad, has been blown to smithereens, existing in the one airtight space left — a storage locker the size of a coffin — which requires him to go out every few days to loot an oxygen tank, food and water; the catch being that he has only five minutes of air to breathe, since the attachments for air tanks on his duck-taped spacesuit are damaged.
Have I got your attention yet? Alfred Bester sure got mine! You can’t imagine where this story goes or how it ends from this starting point. The action never stops and all the while the protagonist, and every other significant character be it friend or foe, is realized in such exquisite detail that you never once doubt their motivations and you sympathize with all of them, no matter how cruel they get; and believe me, they can get Game-of-Thrones-cruel!
Bonus points: while I have noted many times that you often have to read 1950s science fiction with a grain of salt in that women generally seem to be present to be sex toys or, at best, love interests for the protagonist, this book does not suffer from that one whit. Bester’s female characters are complex and strong and vulnerable at turns. They are every bit as beautifully human as the men and I love them.
Extra bonus points: no jarring moments of obsolete technology to take you out of the illusion. Not a one.
Every science fiction fan needs to read this book, especially if you love space opera. I want to write like this when I grow up.
Although space is a virtual vacuum, this does not mean that there is no sound in space. Sound does exist as electromagnetic vibrations.
Through specially designed instruments, the Voyager, INJUN 1, ISEE 1, and HAWKEYE space probes used Plasma Wave antenna to record the vibrations of the planets that they visited that are within the range of human hearing (20 to 20,000 Hz).
To be fair, however, they are often quiet; quiet enough that they are difficult, if not impossible, for the human ear to hear.
The recorded sounds are the complex interactions of charged electromagnetic particles from the Solar Wind, ionospheres, and planetary magnetospheres. Here’s a sample of some of the recordings released by NASA:
Here is a recording (and photos) of the noise of the Singing Comet, 67P, as recorded by the Rosetta spacecraft (though in this case the volume has been increased by 10,000 times):
And here is a full playlist of the Symphony of the Planets. These five CDs, which are now out of print, were created from the complex sounds recorded by the Voyager probes.
Yes, really. This is real world stuff I’m talking about, not just Arcane Space!
So if you’d like to imagine what it sounds like aboard a Spelljamming ship, picture that the closer you got to a planetary body, the more of this kind of sound you would hear. It would start as faint, water-like popping noises. Then you would wonder when the wind noise had started. Then you might notice a high-pitched drone like a wet finger on crystal or a Tibetan singing bowl. In some cases (Suns, large planetary bodies) you might notice a low droning buzz, like the sound of a WWII airplane. The closer you got to the planetary body, the louder it would get, and when you reached a planetary gravity plane, it would be a veritable cacophony to ears accustomed only to the creak of the ship, the flap of sails and the quiet of the Void; which would fade again into the background once you hit atmosphere and terrestrial noises began to reach your ears. Or you might be sailing along in space, likely with continual distant popping sounds that would be more rapid the closer you were to the center of the sphere, and all of a sudden a Solar Gale might whip wind and ringing and high-pitched drones through the air envelope. In which case, a sargasso might be heralded by a sudden, deafening silence.
La Forge stellaire est un décor de campagne destiné à être joué avec le système Advanced Dungeon and Dragon 2ème édition modifié pour Spelljammer (version 2.3). Il s’agit d’un vaste environnement isolé des traditionnelles Sphères Connues, mais également des Anciens Domaines Reigar ou encore des Orbes impériaux. La Forge stellaire est le nom d’un phénomène cosmique ayant altéré le Phlogiston lui-même, pour en faire le vecteur de forces élémentaires qui viennent à leur tour modifier la structure cristalline des Sphères, qui deviennent translucides et laissent filtrer de puissants rayonnements donnant naissance à de nombreux porteurs de dons stellaires.
Selon leur position autour de la Forge, les orbes de cristal sont différemment affectés par ces énergies primordiales magnifiées, et au fil des époques, des peuplades ont favorisées certaines lignées, jusqu’à ce que certains dons deviennent des pouvoirs innés et héréditaires. Les relations entre cultures de Sphères forgéennes différentes s’avèrent plus…
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First, in case you haven’t heard: 70,000 Years Ago, Another Star Flew by the Edge of the Solar System | RealClearScience.
According to an international team of astronomers, about 70,000 years ago a red dwarf star — nicknamed “Scholz’s star” for the astronomer who discovered it — passed by our solar system just 0.8 light years distant. In fact, 98% of the 10,000 simulations the team ran projected that the star’s path grazed the outer edges of the Oort Cloud, a region of space filled with icy planetesimals which marks the final boundary of our solar system.
…Scholz’s star is now twenty light years away and won’t be returning anytime soon. However, Dr. Coryn Bailer-Jones of the Max Planck Institute for Astronomy calculates that we may receive another visitor in the distant future. Last December, Baller-Jones reported that the rogue star HIP 85605 may pass as close as .132…
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This completely violates Grubbian physics, but check this out!